Talented and fortunate rock ‘n’ roll musicians are no strangers to success. Many have achieved platinum status, made millions and subsequently partied like the rock stars they have become. But high-profile recording artists who experience fame and opulence don’t always live long, prosperous lives.
Before concerts, during shows and while recording music, substance abuse defines the lifestyle of countless performers across all genres. From popping pills and snorting cocaine to smoking marijuana and binge drinking, drug and alcohol abuse has plagued the music industry for decades.
As a result, a deadly epidemic among recording artists has emerged: addiction.
“We see rock stars die because of drug use all the time, but it doesn’t have to be that way,” Samir Vergara, a counselor in Orlando, Florida, told DrugRehab.com.
Why do so many musicians turn to drugs? A number of reasons exist. Rock musicians deal with grueling schedules, feelings of depression and constant pressure to succeed. The rock ‘n’ roll culture also encourages substance use, leading many artists to experiment with drugs and alcohol.
Substance abuse has fractured careers, created significant health problems and caused premature deaths. But many musicians who have sought addiction treatment have gone on to release more music, reinvent their careers and live healthy lives.
Denny Kolsch is a licensed mental health counselor who specializes in addiction and mood related disorders. He blogs for To Write Love On Her Arms, a nonprofit that strives to provide inspiration to those struggling with addiction and mental illness.
He says that celebrities are more vulnerable than the general population to drug and alcohol exposure.
Despite the misconception that peer pressure is an adolescent experience, people of all ages and backgrounds are influenced by others to drink or use drugs. Likewise, musicians immersed in drug-dominated cultures often deal with this reality.
“It’s often easier to use drugs and alcohol than to be the sober person in the room, especially when you’re seeking approval,” Kolsch told DrugRehab.com.
They may also believe that substance use bolsters their onstage performance.
Steven Tyler, lead singer of Aerosmith, claimed cocaine increased the band’s stamina. In an interview for “The Ellen DeGeneres Show,” the “Dream On” singer said cocaine gave the band the energy needed to tour every U.S. state nine times in seven years.
The stress of concerts and worldwide tours can engender drug use among performers. It can be difficult to relax after three-hour sets in front of capacity crowds. After shows, while on a tour bus or in a hotel room, musicians have relied on drugs and alcohol to help them relax.
“Some rock stars take pills to unwind,” said Vergara, who is in recovery from cocaine addiction. “But some, like Steven Tyler, have said that once they get into [drug use], it can be hard to stop.”
Some performers are convinced alcohol and drugs facilitate creativity, a belief that has endured for decades. In fact, author Martin Torgoff told Rolling Stone that celebrities of the 1970s disco era often used drugs for creative purposes.
“The artists of that time used everything for their palate, their palate of creativity,” said Torgoff. “And drugs were part of that palate.”
Recording artists may also begin using one substance to counteract the effects of another. For example, they may use a stimulant, such as cocaine, to stave off the depressive effects of alcohol. Or they may turn to benzodiazepines when cocaine overstimulates the brain.
Self-medication is common in the music industry.
Kurt Cobain turned to heroin to alleviate chronic stomach pains. In a 1992 open letter to his fans, the Nirvana singer said the drug briefly numbed his body, but the pain often returned. He regretted his decision to self-medicate, and he vowed to never again use heroin as a medicine.
Despite his promise, he was unable to stop using the drug. Heroin addiction would plague him until his death.
Artists also self-medicate to deal with mental illness.
Cobain, Whitney Houston and Amy Winehouse fought psychological disorders prior to their untimely deaths. Prominent musicians who have dealt with major depressive disorder include Jon Bon Jovi, Sinead O’ Connor and Johnny Cash.
Former Creed frontman Scott Stapp used drugs and alcohol to ease his bipolar disorder, a mental illness characterized by shifts in mood, energy and activity levels.
A 2016 survey published by Help Musicians UK found that musicians and music industry professionals in the United Kingdom may be more than three times more likely than the general UK public to deal with depression.
In the report, musicians said that a variety of factors contributed to their poor mental health, including:
Kolsch said that a lot of mainstream musicians have pre-existing issues with substance use or mental illness. Once they become famous, they have more money to spend on drugs, which leads to more frequent use and higher tolerance.
“This is the sad reality many in the entertainment industry find themselves [in],” said Kolsch, who is in recovery. “Life can begin to feel very hopeless once the addiction has reached this level of chaos.”
Vergara said that many artists are surrounded by people who have little interest in their health or well-being. These individuals — often managers or bandmates — do whatever it takes to ensure that the performer arrives to a show, even if that means providing drugs or alcohol.
“That’s the kind of business [the music industry] is,” said Vergara. “People do whatever they need to do to get them to the next show, even if [the musicians] need to be in the hospital or treatment.”
Drug use often is reflected in music. For example, Third Eye Blind’s ’90s hit “Semi-Charmed Life” references snorting cocaine and smoking crystal meth, and Bob Marley is seen smoking a joint on the cover of his “Catch A Fire” album.
The glorification of substance use in music is no recent development.
In the 1930s, the Memphis Jug Band released the folk song “Cocaine Habit Blues,” a first-person story about how the drug provides ease and comfort. And jazz musician Fats Waller sang about a 5-foot marijuana joint in “Viper’s Drag.”
The 1960s brought further glorification of drugs and alcohol in music. Jerry Garcia, lead vocalist of the Grateful Dead and a chronic heroin user, encouraged drug use in interviews. Popular songs of the era, such as “White Rabbit” by Jefferson Airplane and “Heroin” by The Velvet Underground, appear to promote substance use.
Today, this trend continues.
A 2013 study by Johns Hopkins Bloomberg School of Public Health indicated that references to alcohol use in popular songs were mostly positive. Researchers said that the portrayal of alcohol in mainstream music could persuade young listeners to engage in substance abuse.
“Given the heavy exposure of youth to popular music, these results suggest popular music may serve as a major source of promotion of alcohol use among youth,” Dr. David Jernigan, study co-author, said in a press release.
In 2017, the online master’s in counseling program at Northwestern University conducted an analysis of the Billboard Hot 100 year-end charts each year from 2007 to 2016. The purpose of the report was to learn how frequently popular music referenced alcohol-related terms such as drink, bottles and “slizzard.”
More than 22 percent of lyrics that were examined in the report had at least one mention of alcohol. Nevertheless, these songs do not necessarily encourage drug use. Some lyrics may discourage the activity. Researchers merely sought how often alcohol-related terms were used.
Not all rock ‘n’ roll musicians encourage drug use or alcohol abuse. A study published by the University of Texas at Austin showed that 1990s musicians were more likely to denounce substance abuse than to encourage it.
The report examined drug-related lyrics in popular music from the 1960s to the 1990s. Later decades saw changes in the treatment of heroin and cocaine in music and lyrics, with musicians singing mostly in opposition to these substances. Hostility toward cocaine increased substantially in the mid-1980s, when crack use became an epidemic in the United States.
Conversely, researchers found that marijuana had been glorified or perceived as harmless in lyrics through the ‘90s.
A number of songs throughout rock ‘n’ roll history, including “Smoke Two Joints” by Sublime and “Sweet Leaf” by Black Sabbath, shed a positive light on smoking cannabis.
However, the University of Texas at Austin study found that younger musicians were more likely than those of previous generations to criticize drugs, including marijuana and heroin. Researchers found that 80 percent of songs that referenced LSD were released after 1980 and most artists who alluded to the drug decried its use.
Some producers and recording artists avoid substance use in their music and in their lives.
Calvin Harris has produced a string of mainstream radio hits. In the past, the DJ stated that drinking made him feel ill. So now he abstains from alcohol. According to the Northwestern University analysis, Harris did not include alcohol-related terms in his most popular songs from 2007 to 2016.
Jack White, lead singer of the White Stripes, is another popular recording artist who avoids substance use. He told journalist Dan Rather in 2014 that he has never used drugs, partly because it could affect his music.
Even before rock ‘n’ roll music took root, drugs such as cocaine and heroin were commonly used among singers, songwriters and music producers. Some sought substances to numb pain; others used drugs to enhance their onstage performances. Regardless of their reasons for engaging in substance abuse, many musicians have suffered dire consequences.
Jazz singer Billie Holiday is one of the most well-known jazz musicians of the 20th century. But her illustrious career was juxtaposed with addictions to alcohol and the highly addictive opioid heroin.
Holiday was introduced to heroin by Joe Guy, a trumpeter with whom she had a romantic relationship. She eventually began abusing the drug. In fact, much of her earnings were used to feed her substance use disorder.
The death of her mother in 1945 exacerbated Holiday’s addiction to heroin and alcohol. This led to repeated arrests and a stint in rehab. After Holiday was convicted of narcotics possession in 1947, authorities refused to grant to her a license to perform in venues that sold alcohol.
From 1950 to 1957, her substance abuse continued to worsen, and her career was never the same. Her heroin use and alcoholism eventually compromised her ability to sing. Heroin causes numerous health problems including respiratory infection and rheumatic diseases. In July 1959, Holiday died of problems associated with alcohol and drug use.
The Harlem jazz scene of the mid-20th century was beset by heroin. In his autobiography, Miles Davis said that people in those days were considered “hip” if they injected the drug.
Charlie Parker was a popular jazz musician who dealt with heroin addiction, alcoholism and mental illness in the 1940s and 1950s. These problems cut short a promising career, and Parker died of lobar pneumonia and the effects of long-term substance use in 1955.
The 1960s were defined by social movements, protests and, in the tradition of the jazz and blues era that came before, drug use. The decade saw the emergence of psychedelic rock, music intended to replicate the hallucinogenic experiences induced by substances such as marijuana, psilocybin and LSD.
The Beatles experimented with drugs throughout the 1960s. In 1961, they began using pills to stay alert while performing. Three years later, folk musician Bob Dylan introduced the group to marijuana.
Like many musicians of their time, members of the Beatles also engaged in LSD use. In fact, rumors swirled that their song “Lucy in the Sky with Diamonds” was based on an acid trip, although the band denied this claim.
Recreational LSD use, which had become popular in the late 1950s, continued into the 1960s. Members of the Grateful Dead and Pink Floyd often dropped acid. After chronic use of the drug, Pink Floyd cofounder Syd Barrett developed schizophrenia, a mental health condition characterized by hallucinations and delusions that can be escalated by the use of mind-altering substances.
In the summer of 1969, the popularity of LSD was at its peak at one of the most historic concerts in U.S. history.
More than 400,000 people converged onto open farmland in Bethel, New York, for the Woodstock Music and Art Fair. Thousands of people in the audience used LSD, marijuana and other substances while listening to performances by 32 acts, including Jefferson Airplane, Joe Cocker, The Who, Joan Baez and Creedence Clearwater Revival.
Howard Loberfeld was 15 years old when he and his friends travelled 30 miles to witness this historic event. The New York native called attending the peace-promoting festival a life-altering experience, noting how the audience exhibited a sense of community that he had never before witnessed.
Something else he noticed at the festival: the widespread use of drugs.
“I saw lots of marijuana smoking,” Loberfeld told DrugRehab.com. “I was so naive that a guy selling pills walked by me shouting ‘Reds!’ and I thought he was a Cincinnati baseball fan.”
LSD was a popular hallucinogenic drug of choice among performers and onlookers at the Woodstock Music and Art Fair in 1969. Carlos Santana and his band used psychedelic drugs the morning of Aug. 16, the second day of the festival.
They were slated to perform at 8 p.m. But at 2 p.m., the band was ordered to take the stage. Santana was still high on LSD.
“I kept saying, ‘God, please help me’” Santana told Biography.com. “‘I’ll never do this again if you help me stay in tune and keep time.’”
The band performed “Soul Sacrifice,” a six-minute instrumental song featuring extended guitar passages by the legendary guitarist. Santana was hallucinating throughout the set. At one point, he says, he believed the neck of his guitar was a snake.
Decades later, Santana told Rolling Stone that LSD use affected his ability to remember the performance, a common effect of the drug. The hallucinogenic experiences of LSD affect memory, as well as the ability to think rationally, communicate and recognize reality.
Glenn Weisner was a high school student studying classical guitar when he attended Woodstock. There he saw festivalgoers partake in LSD, hashish, marijuana and red wine. He did not see anyone use harder drugs, such as heroin and cocaine.
Seated on a patch of grass not far from the stage, Weisner and his friends took several doses of Orange Sunshine, a strong type of LSD, during performances.
“Drug use was ubiquitous,” Weisner told DrugRehab.com. “Everyone was tripping, smoking pot or drinking.”
Jimi Hendrix closed the show. One of the most renowned guitarists in music history, he performed “Purple Haze,” “Voodoo Child” and a solo rendition of “The Star Spangled Banner.” Weisner called Hendrix’s set unequaled when compared with other performers.
But, like many artists of his time, Hendrix’s health was damaged by drug abuse. In 1970, the guitarist admitted to having used marijuana, LSD and cocaine in the past. Later that year, he died of complications from barbiturate overdose.
After a decline in cocaine use from the 1940s to the 1960s, snorting cocaine became more widespread in the 1970s. Musicians would use the stimulant at parties, during recording sessions or backstage before concerts.
A number of musicians abused the drug because of its euphoric properties. Cocaine can cause extreme happiness, mental alertness and energy. However, it can also lead to increased body temperature, restlessness and overdose.
Some of the era’s most popular musicians, from Sly Stone to Ozzy Osbourne, were cocaine users. According to one account, Osbourne’s band Black Sabbath spent $75,000 on cocaine in 1972 and had copious amounts of the drug flown in by private airplane.
In April 1977, Studio 54 opened on West 54th St. in New York City. Frequented by celebrities such as Cher and Michael Jackson, the strobe-lit dance club was the epicenter of extravagant parties for 33 months.
Cocaine was a popular drug of choice among patrons. The cocaine-snorting moon structure that rose above the dance floor was a symbolic representation of the drug’s pervasiveness at the club.
Mark Fleischman, former owner of the venue, released a memoir in 2014 detailing the escapades at Studio 54. He wrote that celebrities would congregate in his office and snort up to 40 lines of cocaine.
“Cocaine was a positive thing. It had no side effects. Or so we thought,” Kevin Haley, a Hollywood decorator who attended Studio 54, told Vanity Fair.
Then in the early 1980s, thanks to a surplus of powder cocaine, crack cocaine was developed and became an epidemic in the United States. This freebase form of cocaine can be smoked in order to achieve a high and can lead to complications such as delirium, heart disease and brain seizures.
Throughout the ‘80s, crack was a drug largely found in poor communities. But famous musicians, including Rick James and Herbie Hancock, have also used crack.
According to his memoir, “Herbie Hancock: Possibilities,” Hancock, a well-known jazz musician, once attended a party where people were smoking crack. Initially, he was reluctant to try it, but as the party wore on, curiosity got the best of him.
“And when the high hit me, it was like nothing I’d ever felt,” Hancock wrote. “Crack overloads the pleasure center of your brain, hitting you with a wave of every pleasurable sensation you can imagine, physical and emotional, all at once.”
After that night, Hancock smoked the drug about once every other month. Each time, he swore he would never smoke it again. But he was addicted. It took a family intervention to get him into rehab in 1999. He has been sober since 2000.
The popularity of cocaine didn’t eclipse the appeal of heroin, which contributed to the deaths of many popular recording artists of the time, including Janis Joplin, Sid Vicious of the Sex Pistols and Tommy Bolin of Zephyr.
In the 1980s, Nikki Sixx of Mötley Crüe battled addictions to heroin, cocaine and alcohol after heavily engaging in drug use early in his career. The bassist said that cocaine caused him to experience psychosis on Christmas day in 1986.
“If you shoot enough cocaine you go into a kind of psychosis, and I believed people were coming to get me,” Sixx told The Guardian. “Scary place, let me tell you.”
The following year, he overdosed on heroin and was declared legally dead. Two minutes later, he regained consciousness after receiving two shots of adrenaline. He immediately went home, used more heroin and passed out.
He would go on to use drugs periodically until 2001, when he gave them up for good. Six years later, he wrote about his descent into heroin addiction in his book “The Heroin Diaries: A Year in the Life of a Shattered Rock Star.”
Emerging from the Seattle rock scene, grunge music skyrocketed in popularity in the early 1990s, with groups such as Stone Temple Pilots, Soundgarden and Nirvana dominating the airwaves.
During this time, many grunge artists struggled with drug use.
In April 1994, Nirvana frontman Kurt Cobain shot himself while high on heroin and Valium. Prior to his death, he had long battled drug addiction. The “Smells Like Teen Spirit” singer began experimenting with heroin early in his career. He and his wife, Courtney Love, would even take prescription drugs together.
In the last week of his life, Cobain spent time at a drug treatment center in Los Angeles. His Nirvana bandmate Krist Novoselic told SPIN magazine that Cobain was heavily using heroin days before he killed himself.
“He was out of his mind on heroin,” Novoselic said. “I remember seeing him those last days and he was loaded. And so he wasn’t thinking clearly when he did that [committed suicide].”
Layne Staley, another successful grunge artist, also struggled with heroin addiction. In 1992, Staley admitted to shooting heroin early in his career. The “Man in the Box” singer stated he stopped using the substance after his tolerance to the opioid increased and he realized he couldn’t get the same rush he’d gotten when he first used it.
His sobriety didn’t last. Staley died after injecting a lethal combination of heroin and cocaine in April 2002 — exactly eight years after Cobain’s death.
Other grunge artists who dealt with heroin addiction include Courtney Love, Scott Weiland and Kristen Pfaff. Pfaff, the bass player for the alternative rock band Hole, died of a heroin overdose two months after Cobain’s death. Weiland’s fatal overdose occurred in December 2015 after years of a very public battle with heroin addiction and mental illness.
The 27 Club is named for a group of celebrities who died at age 27. The first members, Joplin, Hendrix, Morrison and Brian Jones of the Rolling Stones, died of various causes between 1969 and 1971. Since then, a number of famed rock ‘n’ roll musicians have died of drug-related causes at 27.
Musicians in the 27 Club Who Died of Drug-Related Causes
Many members of the 27 Club endured difficult childhoods, which may have contributed to their mental illness or drug abuse. Joplin, for example, dealt with bullying, and Cobain was emotionally damaged after his parents divorced.
While not all musicians in the 27 Club died of drug-related causes, an alarming number suffered from substance use disorders and mental illness. Substances played a role in the deaths of many whose official cause of death is listed as something other than overdose, alcohol poisoning or drug-involved suicide. The coroner’s report for Jones, who is considered the tenth member of the 27 Club, stated “death by misadventure,” but it also indicated that Jones’s heart and liver were enlarged from drug and alcohol abuse.
As grunge music of the 1990s gave way to the rise of pop music in the 2000s, drug use remained a problem. A number of chart-topping pop stars, including Whitney Houston, were victims of substance abuse.
In 2000, security at Kona International Airport found more than 15 grams of marijuana in Houston’s bag. However, she and her husband, musician Bobby Brown, boarded the plane before authorities could arrest her. Eventually she was presented with a misdemeanor charge of marijuana possession, but the charge was later dropped.
Houston spoke about her drug use in a now-infamous 2002 interview with ABC News. The “I Will Always Love You” singer acted erratically throughout the conversation. She admitted to having used alcohol, marijuana, cocaine and prescription pills at times in the past.
Over the next decade, she routinely made headlines for her peculiar behavior and alleged drug use. In February 2012, Houston was found dead in a hotel bathroom in Beverly Hills, California. The R&B legend died of accidental drowning caused by heart disease and long-term cocaine use.
Less than a year before Houston’s untimely death, addiction had taken the life of another Grammy Award-winning artist.
Early in her career, Amy Winehouse was introduced to drugs by her then-boyfriend, Blake Fielder-Civil. Their relationship often involved substance use and domestic abuse.
In 2007, Winehouse was hospitalized after overdosing on a drug cocktail of cocaine, ecstasy, heroin, ketamine, whisky and vodka. In 2008, she entered rehab after photos of her alleged drug use surfaced. She re-entered drug treatment in 2011.
In June of that year, she appeared intoxicated while performing in Belgrade, Serbia. The following month, she died of alcohol poisoning at age 27. In a 2015 documentary about Winehouse, titled “Amy,” it was revealed that the singer had also struggled with bulimia.
Winehouse’s death occurred amid the growing opioid epidemic, a public health crisis that has affected many U.S. communities. According to the American Society of Addiction Medicine, 2 million Americans aged 12 or older had a prescription painkiller addiction in 2015.
In 2016, R&B singer Prince died after accidentally overdosing on fentanyl, a powerful synthetic opioid 25 to 50 times more toxic than heroin and 100 times more powerful than morphine. The painkiller is often prescribed by physicians for cancer treatment.
A law enforcement official told CNN that Prince possessed opioid medication at the time of his death, though there was no indication that he had a valid prescription. USA Today later reported finding some mislabeled pills containing fentanyl in the singer’s home at his time of death.
An attorney for Prince’s half-siblings told CNN that the musician was addicted to the prescription opioid Percocet decades before his death and had begun using the painkiller to alleviate the stresses of performing.
On May 18, 2017, grunge-rock legend Chris Cornell died by suicide in a hotel room at the MGM Grand casino in Detroit.
The Wayne County assistant medical examiner in Michigan found seven drugs, including naloxone, barbiturates, pseudoephedrine and the anti-anxiety medication Ativan, in Cornell’s system. Although the autopsy report stated that drug use did not contribute to his death, Cornell’s widow believes that his use of Ativan caused the suicidal thoughts that resulted in his death.
Cornell, the lead singer of Soundgarden and Audioslave, had fought substance abuse since he was a child and had been in recovery since 2002. He also lived with depression as an adult.
In 2014, country star Mindy McCready was arrested for illegally obtaining OxyContin, brand name of oxycodone, and was charged with prescription drug fraud.
After selling millions of albums early in her career, McCready’s personal life spiraled out of control. She attempted suicide multiple times and dealt with drug addiction and alcoholism. She appeared in the third season of “Celebrity Rehab with Dr. Drew” in 2009, and in February 2013, McCready entered court-ordered treatment. She died by suicide later that month.
In addition to McCready, many country music singers have had alcohol use disorders. Trace Adkins battled alcohol-related problems throughout the 2000s. Keith Urban, who grew up with an alcoholic father, had his own drinking issues as an adult.
Rock artist Chester Bennington of Linkin Park grappled with alcoholism for much of his life. In 2008, he revealed that he was sexually assaulted as a child. The abuse caused the singer much distress and contributed to his use of drugs and alcohol.
In 2016, Bennington told the magazine Metal Hammer that he had used LSD in the past.
“I was on 11 hits of acid a day,” he said. “I dropped so much acid I’m surprised I can still speak. I’d smoke a bunch of crack, do a bit of meth and just sit there and freak out.”
In July 2017, Bennington killed himself in his Palos Verdes Estates, California, home. Although he’d struggled with substance abuse in the past, no drugs were found in his house at the time of his suicide. He was 41 years old.
For years, Elton John used cocaine. In a 2012 interview, the “Tiny Dancer” singer recalled how he’d sunk into a drug-fueled haze in the 1980s. He didn’t seek help until he met teenager Ryan White, an AIDS patient who had received enormous media attention in the early 1990s.
“After [White] died, I realized that I only had two choices: I was either going to die or I was going to live, and which one did I want to do? And then I said those words, ‘I’ll get help,’ or, ‘I need help. I’ll get help,’” John told NPR.
John entered treatment in 1990.
“And my life turned around,” he said. “Ridiculous for a human being to take 16 years to say, ‘I need help.’”
Singer and actress Demi Lovato has been open about her past substance abuse issues. As a teenager, she would smuggle cocaine onto airplanes. She entered drug rehab in 2010. But shortly after leaving treatment, she relapsed.
“I think at 19 years old, I had a moment where I was like, ‘Oh my God … that is alcoholic behavior,’” Lovato told Access Hollywood in 2013. “[It’s] no longer, ‘I’m young and rebellious and out having fun.’ It was, ‘Wow, I’m one of those people.’”
But age is just a number when it comes to rock ‘n’ roll — and to recovery. Eric Clapton was in his early 40s when he entered rehab for the second time, after living with alcoholism for more than a decade and briefly struggling with heroin.
In his 2008 autobiography, Clapton wrote that he’d had a broken marriage and a career with no direction before seeking treatment for alcohol addiction in 1987. The principles he picked up during treatment helped him sustain sobriety, even after the unexpected death of his 4-year-old son.
Many musicians in recovery regularly attend 12-step meetings.
Steven Tyler suffered from drug and alcohol addiction throughout his career with Aerosmith. It affected his relationships with his children, his wife and his band. Today, he is sober. In 2016, shortly after the death of Prince, Tyler told People magazine that receiving treatment saved his life.
“If I can do it, anyone can,” said Tyler. “There are 12-step programs out there that save people’s lives day after day, even if it’s a minute at a time and someone’s feeling like they want to use.”
You don’t have to be a famous musician to know the consequences of drug use.
Weisner, who attended the Woodstock music festival, now lives in western Massachusetts. He teaches private guitar lessons and writes books on music. After having used a variety of drugs when he was young, he is now sober.
“I advocate a clean and sober lifestyle based on healthy living and spiritual awareness,” said Weisner. “Also, I find mindfulness meditation very useful for my own recovery.”
Addiction is a disease. It affects people from all walks of life. Once a substance use disorder develops, the substance essentially dictates behaviors. This can lead to destructive tendencies that can affect different facets of life.
“If you had a broken arm, you wouldn’t think twice about getting it treated,” said Kolsch. “It shouldn’t be any different with addiction struggles.”
Rehab can improve lives, as Clapton, Tyler and John have shown. They no longer party like rock stars, but they experience a new kind of high.
They continue to release music. They still perform for large crowds. And they now enjoy healthy, sober lives.